Showing posts with label Ed Hamell/Hamell On Trial. Show all posts
Showing posts with label Ed Hamell/Hamell On Trial. Show all posts

Sunday, January 16, 2011

North Fork Sound Top 20 - January 16th 2011

Motörhead
photo: Robert John
1. Motörhead: Devils In My Head
2. Joe Gibbs & The Professionals: Meet On The Corner
3. Grinderman: Palaces Of Montezuma
4. Rich Hopkins & Luminarios: Lou Reed
5. Tinashé: Pieces Of Paper
6. Sarah Gillespie: Junk Food Angel
7. Beady Eye: Four Letter Word
8. Lisa O Piu: The Party
9. Joe Grushecky & The Houserockers: The Magnificent Seven
10. Billy Bragg: Who's Gonna Shoe Your Pretty Little Feet (demo)
11. Chris Knight: Another Dollar
12. The Move: Don't Make My Baby Blue

13. Imelda May: I'm Alive
14.
The Lightning Raiders: Psychedelic Musik
15. The Black Keys: Howlin' For You
16. The Ramones: Swallow My Pride
17. Robyn Hitchcock & The Venus 3: Born On The Wind
18. Help Yourself: Elephant By My Side
19.
The Greenhornes: Open Your Eyes
20. Stereolab: Neon Beanbag

North Fork Sound Alb O' The Week
V/A: Wretches & Jabberers (OST)

North Fork Sound Legend Of The Month
Elvis Presley

Last Week's Listener Favourites
Abba: The Visitors
The Blaggards: Last Of The Steam Powered Trains
David Bowie: Helden
The Chosen Few: Stoned In Love
Dean & Britta: I Found It Not So
Dr. John & The Lower 911: You Might Be Surprised
The Drive-By Truckers: Birthday Boy
The Electricians: Tell Me Why
Elvis Presley: Way Down
Elvis Presley: I Got Stung
The Eric Burdon Band: I'm Looking Up
Eric Gales: Bad Lawbreaker
The Flying Burrito Brothers: Hot Burrito #1
Geno Washington & The Ram Jam Band: Jumping Jack Flash
Ed Hamell
photo: Jim Dyson
Hamell On Trial: Civil Disobedience
Happy Mondays: Step On (Twistin My Melon mix)
The Happy Talk Band: All Played out
The Heart Throbs: She's In A Trance
Howlin' Wilf & The Vee-Jays: Get It Over Baby
The Idle Race: Skeleton And The Roundabout
Jimi Hendrix: Red House
JJ Cale w/Eric Clapton: Hard To Thrill

Kristian Hoffman
photo: Rocky Schenck
Kristian Hoffman: Ready Or Not
Lloyd & The Prophets w/The Cimarons: Bush Beat
Marianne Faithfull: As Tears Go By (remake version)
The McCoys: Sorrow
Mikel Rouse
Brooklyn Academy of Music, Brooklyn, NY - 11/02/10
photo: ht

Mikel Rouse: What You Want
Mose Allison: Modest Proposal
MX-80: Susan
Raul Malo: Matter Much To Me
Ray Charles: In The Heat Of The Night
Rod Stewart: Shake
Roky Erickson, ht
Roky Erickson & The Aliens: Sputnik
The Rolling Stones: She Said Yeah
Roogalator: Cincinnatti Fatback
Sandy Nelson: Drums Are My Beat
The Spencer Davis Group: Somebody Help Me
The Star Spangles: I Don't Wanna Be Crazy Anymore
Tinashé: She Gives A Damn
Tindersticks: No More Affairs (instr.)
Vince Taylor
Vince Taylor: Brand New Cadillac
Vincent Quatroche: Another Rubber Eden

Sunday, September 19, 2010

North Fork Sound Top 20 - September 19th 2010


1. Robert Plant: The Only Sound That Matters
2. Ensemble Folklorique Batimbo: Ewe Burundi

3. Dave Alvin: You Got Me

4. Royal Fingerbowl: Sweet Sixteen

5. Macy Gray: Kissed It
6. Sshuu: Khomus Solo
7. Gillian Welch: Look At Miss Ohio

8. Charlie Robison: It Comes To Me Naturally
9. Big Youth: The Killer
10. Judy Henske: Let The Good Times Roll

11. Ray Johnson: If You Don't Want Me Baby

12. Bob Dylan: Knockin' On Heaven's Door

13. Nino Rota: La Dolce Vita
14.
Holger Hiller: Cuts Both Ways
15. The Band: Last Train To Memphis
16. John Adams: Common Tones In Simple Time (excerpt)
17. Robyn Hitchcock: Dark Princess

18.
Billy Jo Spears: Mr. Walker, It's All Over
19. Curtis Mayfield: Kung Fu
20. Eddie Cochran: Am I Blue

North Fork Sound Alb O' The Week
John Lennon: Signature Box

North Fork Sound Legend Of The Month

Lowell George

Last Week's Listener Favourites
12 Dirty Bullets: Dark Tales Of A Policeman (remix)
Aswad: Your Recipe
The Bellrays: Fire On The Moon
Chuck Berry: One Sixty Nine AM
The Detroit Cobras: Stupidity
Genya Ravan: Sit Yourself Down
Ed Hamell
The Sidewalk Cafe, NYC
photo: ht
Hamell On Trial: The Long Drive
Harry Nilsson: Take 54
Howlin' Wolf: Little Red Rooster
Jerry Garcia Band: Sitting In Limbo
Jerry Lee Lewis: Better Not Look Down (alt take #1)
Jimmy Cliff: Let Your Yeah Be Yeah
Little Feat: Oh Atlanta
Loudean: Wasted
Lowell George & The Factory: Crack In Your Door
Mick Farren & Andy Colquhoun: The Ladbroke Groove
Rich Stim
San Francisco, CA

photo: ht
MX-80 Sound: Man On The Move
Neil Young & Crazy Horse: Over & Over
Tom Phobic
Hammersmith, London

photo: ht

The Phobics: Die Slowly
The Pink Fairies: Well Well Well
The Ronettes: I Can Hear Music
Sarah Silverman: Everybody Sings
The Screaming Blue Messiahs: I Want Up
Sherman Scott: How'd Ja Do
The Small Faces: What's A Matter Baby
The Third Degree: Mercy
Todd Rundgren: Hideaway
Victor DeLorenzo
Milwaukee,
photo: ht
Victor DeLorenzo: Picture Her Blue

I now have a show - 'PURE' - on a GREAT radio station. Find the station and archived shows here: www.wpkn.org or tune in to listen "live" at WPKN 89.5 fm
SEND PROMOS - cds or vinyl ONLY, to Box 45, New Suffolk, NY, 11956
Next show: October 8th, and every second Friday of the month, 12 (noon) - 3pm

Saturday, February 6, 2010

Hamell On Trial


Hamell On Trial
'Untitled Work In Progress'
New Suffolk, NY
02/02/10

Friday, February 5, 2010

Ed Hamell


Ed Hamell
New Suffolk, NY
02/02/10

Tuesday, February 2, 2010

Hamell On Trial


Hamell On Trial
New Suffolk, NY
02/02/10

Sunday, January 31, 2010

North Fork Sound Top 20 - January 31st '10

Ed Hamell, Peter Lubin
W. 23rd St, NYC
photo: ht
1. Hamell On Trial: The Meeting (live)
2.
Patti Smith & Fred Smith: It Takes Time
3.
Dobie Gray: The 'In' Crowd
4. Gene Casey & The Lone Sharks: It's A Free Country
5. Baba Brooks: Watermelon Man
6. Family: In My Own Time
7. Jimi Hendrix: Crosstown Traffic
8. Don Covay: It's Better To Have (And Don't Need)
9. Chuck Berry: I'm A Rocker
10. Eric Clapton & The Powerhouse: Crossroads
11.
Jenny Dee & The Deelinquents: Mama Told Me
12. C.C. Adcock: Kissin' Kouzans
13. Ricky Nelson: Lonesome Town
14. Richard Hell & The Voidoids: Blank Generation

15. Jolly Bros: Cool Down
16. Elliott Sharp: InSERGEncy
17. Bob Seger: Katmandu
18. Midlake: Acts Of Man
19. Happy Mondays: Bob's Yer Uncle (Perfecto 12" mix)
20.
Donovan: Hurdy Gurdy Man

North Fork Sound Alb O' The Week:
Shpongle: Ineffable Mysteries From Shpongleland

North Fork Sound Legend Of The Month:
Nick Lowe

Last Week's Listener Thumbs-Ups:
John 'Snaykee' McParland
(
The Wolf:Gang Deisel)
Scranton, NY
photo: ht

The Wolf:Gang Deisel: Horsemeat Pie
The Slits: Be It
Link Wray: Rumble
William DeVaughan: Be Thankful For What You Got
Doug Powell: Return To Sender
Ronnie Spector: Hell Of A Nerve
Ace: How Long
B.B. King: Chains And Things
Carl Perkins: Matchbox
Eddie Cochran: Cut Across Shorty
Shelby Lynne: Johnny Met June
Sparks: Suburban Homeboy
The Tornados: Earthy
Bryan Ferry: It's All Over Now, Baby Blue
The Pirates: Four To The bar
Johnny Hiland: Gatton To It
The Charms: Top Down
Nanci Griffiths & John Prine: Speed Of The Sound Of Loneliness
Fats Domino: Please Don't Leave
Doris Troy: Just One Look
Alvin Robinson: Down Home Girl
Fairport Convention: White Dress
The Techniques: Queen Majesty
David Bowie: After All
Robert Plant & Alison Krauss: Gone Gone Gone (Done Moved On)
Richard Berry & The Pharoahs: Louie Louie
Captain Beefheart & The Magic Band: Sure Nuff 'n Yes I Do
Mikel Rouse: Wait For Me
J.J. Cale: I'll Make Love To You Anytime
Freda Payne: Band Of Gold
The Pretty Things: Havana Bound
Duffy: Distant Dreamer
Galactic: Crazyhorse Mongoose
Bob Dylan: Tombstone Blues (alt. take)
Dr. John & The Lower 911 (w/Eric Clapton): Time For A Change
White Hills: Radiate
Harold Melvin & The Blue Notes: If You Don't Love Me By Now
The Faces: Around The Plynth
Chuck Berry: Little Queenie (live)
Vince Quatroche: An Understanding
Fleetwood Mac: Man Of The World
The Fun Lovin' Criminals: Loco
The Sisters Of Mercy: Temple Of Love (Touched By The Hand Of Ofra Haza)


Alan Vega, Kevin Patrick, Andrew Eldritch
Gramercy Park Hotel, NYC, room 825
photo: ht

Monday, July 20, 2009

Hamell On Trial

Hamell On Trial
photo: ht
from Ed Hamell's blog (with permission) -

RULES OF THE GAME There is no way to explain the feeling of that harnessed gig when it’s sailing the stormy seas of perfection. I’ve read thousands of books about rock and roll and rarely if ever is the writer able to nail the feeling of an artist when he or she is hitting the zone. I’m certainly aware of how lucky I am that I cherish my occupation and find such joy in it. It’s so much more than just the 90 minutes spent on stage. The writing of the material brings me a euphoric sense of well being. The rehearsal is incredibly satisfying and challenging. The studying of other artist’s output, particularly the ones I respect is time well spent. I find solace in the recording studio. I’m crazy about the ritual prior to the show, designing the minimal props on stage, the choosing of the clothes, going over the lighting cues, deciding on the recorded intro music as the audience enters the venue, the departure music, the changing of the strings, pondering the pacing, the making of the set list: I love it all. The same song can be played in an infinite number of ways. Songs written years ago can take on new and more mature meanings when played under new (read: older) life circumstances. Angry songs become funny songs. Love songs become songs of resignation. Topical songs are rendered obsolete or nostalgic. Songs that seemed to be filler somehow become profound. They’re all my children taking on lives of their own. They often surprise me in their manifestations. Rarely do I take a lengthy period of time between gigs. Often I’m playing 5 or 6 times a week. But sometimes there’s two or three weeks between gigs and it only takes that first chord, plugged into an amp and played at maximum volume to remind me of how much fulfillment I get from this because this is what I was born to do. The only person in the audience I care about is me. But isn’t that the ultimate respect for the audience? In other words, as a chef I wouldn’t serve you anything I wouldn’t eat myself, and yet would try to dazzle the shit out of my palette as I was eating it. Here is the gauge: If Ed Hamell was in the audience what would he need to hear? I’m a tough critic man. I saw The Who and Jimi Hendrix when I was 14 and this set the bar so astronomically high that you really have to explode in every way to impress me. Or have a boatload of heart. So what do I need to see and hear?
First: Transport me. Take me out of my present state; bring me somewhere where I forget where I am for 90 minutes. Do it in such a way that I’m excited, I want a roller-coaster ride, a thrill ride that runs the emotional gamut from laughter to tears.
Second: Don’t insult my fucking intelligence. Don’t dummy down. Don’t try to appeal to the “largest demographic possible”. The very phrase makes me want to fucking puke.
Third: I want to leave the show thinking, “Wow, I got real insight into to this guy. He bravely confessed things to me I never would have anticipated and he did it in such a way that were both silly and profound and everywhere in between.”
Fourth: How about a little style? Distinctive style. Something you’ve painstakingly developed over a period of time and you wear the scars of that development on your sleeve. (Or head, in my case)Yeah, I can detect your influences but not so overtly that I feel you’re downright copying somebody. (Read: I HATE Lenny Kravitz. It’s such hideous arrogant bullshit that he should be exiled to the Island of Bad, just plain fucking BAD. Please don’t write me any emails defending him; if you like him you have shitty taste. You’re not a music fan, you’re an idiot. Cancel your subscription to my blog, I couldn’t care less. I’m not looking to have the most friends on my Facebook page. Dane Cook has the most friends on his Facebook page and he’s another idiot.)
Fifth: Play every gig like it’s your last. Give 100% every night, whether there are 1,000 people or 6. Never take for granted how lucky you are to be able to do it. The best case scenario is you wring out your shirt after the gig. I find this particularly admirable if you’re a woman and we share a dressing room. (I wonder if Joan Jett needs an opening act. Hmm….) I was NOT inherently gifted. There were many other players as I was growing up that could play Eric Clapton licks note for note when they were 15. They could sing like John Lennon. They looked like Robert Plant on stage. I envied their ease of rock and roll operation. I was not one of those guys. Every move, every note, every stage banter and gesture has been painstakingly fought for through very hard work and years of practice. But a lot of those guys are sitting on a bar stool somewhere or if they’re lucky, considering the economic status of Upstate New York these days, they still have their job in a factory. I, on the other hand, have the tenacity of a cockroach. It was all I ever wanted to do, make my life music. By hook or by crook I was going to do it.
Six: Choose your influences well. There’s no need to be hyper critical of them. There are certain artists, Lou Reed, Warren Zevon, Bob Dylan, Nick Cave, Alan Vega, Shawn Ryder, Mark E. Smith, Leonard Cohen, Jack White, Iggy Pop, that when a record comes out it’s like a letter from a friend. I don’t scrutinize letters from friends and say, “Oh, the one he wrote in 2003 was much better.” Fuck that. I just like getting the letter. What’s he up to these days? Just a little spiritual gas station to fill my inspirational tank and get me from point A to point B.
Seven: Assume you’re going to do it for your entire life or don’t do it at all. It’s a marathon not a sprint. There’s going to be hard humiliating times along with moments of sheer ecstasy. (I’m not talking about the drug here but that comes into play too.) It’s about the music and the art and not the big “cash pay off.” Here’s the deal: At the end of the road, laying in your deathbed you’re going to look back and think, “What did I did with my life? What did I leave behind? Was I Rob Thomas or was I John Lennon?” You figure it out, because life’s short man.And if you’re just dabbling, get out of my fucking way, I got enough problems these days.
Ed Hamell
Middletown, NY
photo: ht
more photos
sign up for Ed's blog here

Sunday, June 28, 2009

North Fork Sound Top 20 - June 28th '09

1. The Low Anthem: Charlie Darwin
2. Fleetwood Mac: Albatross
3. Graham Parker: Bullet Of Redemption
4. Eli ‘Paperboy’ Reed & The True Loves: Ace Of Spades
5. Jim Jones Revue: Rock ‘n’ Roll Psychosis
6. Ray Davies & The Crouch End Festival Chorus: Do You Remember Walter?
7. Tapper Zukie: MPLA
8. Swamp Dogg: Total Destruction To Your Mind
9. Ian McNabb: You Must Be Prepared To Dream
10. Björk: Declare Independence
11. Steve Reich: Music For 18 Musicians (excerpt)
12. Chuck Brown & The Soul Searchers: Bustin’ Loose
13. Amy Winehouse: Do Me Good
14. Robyn Hitchcock & The Venus 3: Goodnight Oslo
15. Muddy Waters: (I’m Your) Hoochie Coochie Man
16. Sandy Denny: For Shame Of Doing Wrong
17. Gene Casey & The Lone Sharks: Who's Sharing The Moon
18. Suicide: Be Bop Kid
19. Hank Jacobs: East Side
20. Peggy Lee: I’m A Woman

NoFoSo Alb o’ The Week:
Amy Allison: Sheffield Streets (Urban Myth Records)
AA meeting
Lindsay Hutton
, Amy Allison, Avy Carroll
photo: Karen McBurnie
The Guilty Pleasure:
Girls Can’t Help It: Baby Doll (Virgin Records, UK)
Last Week’s Listener Thumbs-Ups:
Jill Sobule: A Good Life
Spirit: Prelude/Nothing To Hide
The Flamin’ Groovies: Shake Some Action
Paul Westerberg: Dyslexic Heart
Andy Fairweather-Low: Wide Eyed And Legless
Peter Hammill: Ghost Of Planes
The White Stripes: Icky Thump
Billy Fury: Wondrous Place
AC/DC: Stiff Upper Lip
Pink Floyd: Careful With That Axe Eugene
Café Tacuba: El Punal Y El Corazón
Led Zeppelin: Communication Breakdown
Jackie Wilson: Doggin’ Around
Ike & Tina Turner: River Deep Mountain High
The Yayhoos: A Bottle And A Bible
Willie Nelson & Winton Marsalis:
Garbage: Special
Pete Townshend: Let My Love Open The Door
The Seeds: Up In Her Room
10,000 Maniacs: Scorpio Rising
John Doe & The Sadies: I Still Miss Someone
Bob Seger: Get Out Of Denver
New York Dolls (w/Iggy Pop): Gimme Luv (And Turn On The Light)
Doug Sahm & The Tex Mex Trip: Beautiful Texas Sunshine
Rickie Lee Jones: Walk Away Renee
Tim Buckley: Dolphins
The Psychedelic Furs: Pretty In Pink
ZZZ: Lalala
James Hunter: Don’t Do Me No Favours
Van Der Graaf Generator: Interference Patterns
Blur: Parklife
Alex McMurray: Where K-Doe Lives
Dusty Springfield: Your Love Still Brings Me To My Knees
Carlene Carter: Every Little Thing
Ian Hunter: Girl From The Office
Amy Allison: Dream World
Chairmen Of The Board: Give Me Just A Little More Time
James Brown: Out Of Sight
Wilbert Harrison: Let’s Work Together (Pts 1&2)
The Bonzo Dog Doo-Dah Band: I’m Going To Bring A Watermelon To My Girl Tonight
Bonnie Raitt: Let Me In
Buddy Holly: Not Fade Away


Ian Hunter & The Rant Band
'23A Swan Hill/Sweet Angeline'
Rockefeller Park, NYC
June 24 '09
Andy Burton - keyboardss
MC Bosch - guitar
Ian Hunter - vocals, guitar, piano
Steve Holley - drums
Paul Page - bass
James Mastro - guitar


It could have poured, but it didn't. And a freshly turned 70 year-"officially old" Ian Hunter could have phoned it in, but he didn't. Instead, he and his superb band kicked out the jams Wednesday night to a strong-in-numbers and appreciative crowd in the shadow of Battery Park City and what was once the World Trade Center.
Starting with 'Once Bitten, Twice Shy' he pulled songs from most stages of his career, including a few choice Mott The Hoople tunes. However, despite a rousing
encore of 'Saturday Gigs/All The Young Dudes', the song of the night - no question - was the title track from his new album, 'Man Overboard'. It just might be his best song ever and it's no fluke, as the new album - out July 21st, and previewed here on North Fork Sound - is chock-full of classic Hunter tunes.
Finally, one of the people I went to the show with, Ed Hamell (of Hamell On Trial), has a new dvd coming out soon. Check this trailer:

Thursday, June 25, 2009

Hamell On Trial


Ed Hamell (Hamell On Trial)
'The Patriot', NYC
6/24/09

Saturday, January 10, 2009

Iggy & The Stooges

xerox of Stooges' Elektra Records recording contract
(page 1)
The first time I saw a Stooges record was at Harum Records in Crouch End. It looked cool so I asked Gary if he'd play a few tracks. It sounded pretty good but, at the same time, I was looking at a Jean-Luc Ponty album ('King Kong') and my meagre wages as a shelf-stacker at Tesco Supermarkets across the street only allowed for one purchase. Yeah, yeah, yeah, I know...Mr. Cool...
Iggy
King's Cross Cinema, London 7/15/72
photo: Mick Rock
A couple of years later, me, Peter Lloyd and his friend, Carol, decided to check out the Flamin' Groovies at an allnighter at the King's Cross Cinema. July 15th, 1972. The Stooges and The Groundhogs (I think) were also on the bill but, for us, it was all about the Groovies. At least we thought it was. Somehow, it didn't turn out that way. The only thing I remember about that particular evening was how utterly devastating the Stooges were. They came out and in one fell swoop showed me - for the first time - what in-your-face, primal, sex-beast, 3-chord rock & roll was all about. Iggy comes out dressed only in silver jeans and boots and proceeds to lay the audience to waste, particularly Richard Ogden, a popular publicist about town, in whose lap Iggy sits while he proceeds to 'serenade' him.
Iggy Pop
photo: Mick Rock
I'd just turned 19 and had grown up listening to and being heavily influenced by the Stones, the Small Faces, Them, the Pretty Things, the Who and other loud, anti-establishment weirdos but this took things to another level completely. I came out of that show with a new batch of values and Iggy had set a 'performance' standard I would rarely see again. Paul Trynka wrote THE Iggy book, 'Open Up And Bleed'. Check out his blog and some other cool links, here.
Iggy Pop
photo: Dustin Pittman
Around this time, I remember a fellow called Larry Debay aka Greenbeard (who I would later come to know as an associate of Bizzarre Records on Praed Street and Marc Zermati of Skydog fame) coming to Trident's disc-cutting room with a 7" reel with the last Stooges show from the Michigan Palace on it, but because it was in a quarter-track format (ie, the tape ran in both directions, 2 tracks in one 2 in the other) we didn't have a machine capable of transferring the tape to disc. That tape later came out as 'Metallic KO'
Iggy, Mick Rock
'Raw Power'
remix party
Studio A, Sony Music Studios, NYC

photo: ht
After the King's Cross show, I tried to see Iggy as often as possible. There was the Rainbow show when David Bowie played keyboards and I got crushed in my 3rd row seat by screaming teenyboppers trying to storm the stage. I taped two shows at the Music Machine in Camden. One (April 25th 79) - "I was a piece of dirt when youse was still readin' books!" - featured Glen Matlock on bass while the other (6/14/78) featured Fred 'Sonic' Smith on guitar.
When I worked for Island, I found a cassette of an early version of 'Kill City' (8 songs) in a cupboard and when I was at Elektra, the phone rang one day and it was
Iggy's manager, Art Collins asking if I could find some old Nonesuch Explorer albums that Iggy had probably been given by Jac Holzman or Danny Fields. I told him I'd do my best and went upstairs to see Peter Clancy who, as luck would have it, had just had a bunch of the Keith Holzman-produced series manufactured on cd for the first time. Art asked if there was anything he could do for me, so I asked him for the words to 'I Wanna Be Your Dog' in Iggy's hand-writing.
One of the perks of working at a major label was access to the vaults. I didn't abuse the privilege, but there was one idea I had that, to my surprise, ended up come out several years later through Rhino Handmade. As a present to myself, I paid Paul Rothchild's son, Dan something like $1,200 to mix all 12 reels of the 8-track 'Funhouse' masters, making sure that he preserved every note and chatter that had been recorded. I thought it might eventually make a tasty piece of art. I also asked Dan to do it twice, with the second version having the band on the left and Iggy on the right so I could have the ultimate 'karaoke' version of Funhouse, too
ticket to see Iggy at The Continental, 3rd & St. Marks Pl., NYC
Jan '93
Another time, I was in San Francisco for a convention and I brought Angel Corpus Christi to the event. Iggy was one of that evening's performers. We were amused to see him playing to a bunch of stuffed shirts, most of whom didn't like him or even know who he was, but we watched from the lip of the stage. Angel even got to kiss him during the performance. Later, in one of the suites, we took pictures.
Iggy Pop, Angel Corpus Christi
WEA Convention, San Francisco
photo: ht
The only time I ever got to speak to Ron Asheton was about 18 months ago when Blast First's Paul Smith flew me to London to see Suicide get a Mojo Award. The Stooges were also being recognized for a Lifetime Achievement Award, so I approached their table, tapped Ron on the shoulder and explained that I ran an internet radio station called (at the time) Cake and "would he do an ID, please"? He graciously obliged -

ron asheton/ID - Ron Asheton
Here's Iggy's...

iggy pop IDmp3 - Iggy Pop

Iggy
'Raw Power' remix party
Studio A, Sony Music Studios, NYC

photo: ht
Finally, in 2003, as the Stooges were part way through their first US tour after reforming and six days after spending nearly a week in hospital, I went to see them at Roseland. Here's an excerpt from the diary I kept while I managed The Star Spangles:
August 27th ...Had lunch with Bob Bortnick, and hung out before going to rehearsal to meet with the SS. Ed Hamell sent me a couple of excellent reviews for his record (NY Post and Rolling Stone.) He's beginning to get some recognition (finally), Peter C Johnson’s album looks like it’s coming out on a Boston label affiliated with Morphine, Hi-'n'-Dri. Willie Nile is sending me some mixes for my comments. And the Spangles are fun to work with. Things are looking up. Went up to rehearsal with a q&a from BB Gun for each of the guys to fill out. They’re working on a Dils song, 'The Sound of the Rain' for the Alejandro Escovedo benefit. They were pleased to hear that Sheryl from the Late Show with David Letterman had called Bobbie Gale to tell her how pleased they were with the appearance. Send flowers. Got a nice message from Tom from the Phobics. He’d heard from Afonso about the h/a. Joey and Laura picked me up and we went up to Roseland. While parking, I ran into my Elektra colleague, Suzanne Berg. She’s now at Verve, doing promotion for Tommy LiPuma.
Still recouperating, I didn't want to get crushed in the crowd so I watched the show from about 50 yards back leaning against the side stage, where the VIPs were seated. It's great to see them back in action, and Iggy ends the set running/dancing all the way down the side of the room, along the VIP stage to exactly where I’m at, and proceeds to launch himself into the audience.
Onto me, and another guy.
I thought of putting a Spangles badge down the front of his (open) jeans, but the opportunity passed too quickly. It wasn’t the life-changing show it was back in 72 when I saw the Stooges at the King’s Cross Cinema with the Flamin Groovies, but it was still better than most of the stuff I see these days and great to run into my friend Eric Danville who ended up onstage, dancing like a nutter. Chatted with Dustin Pittman and his daughter, Skyler. Bought a Stooges hoody, came home.

Ron Asheton, Iggy Pop
Randall's Island, NY
8/14/04

photo: ht

Thursday, May 15, 2008

George Gilmore & The Giblets

George Gilmore, Ed Hamell
23rd St, NYC

Last week, I had to go into Manhattan so my dentist could moan at me about bone loss round me molars. Since it was the first Tuesday of the month, I decided to cheer myself up by meeting up with my good pal Eric Danville and checking out George Gilmore & The Giblets' regular monthly stint at The Lakeside Lounge, my favourite watering hole on the Lower East Side. The Lakeside is known mainly for having the best jukebox in the city, exquisitely curated by co-owners, Jim 'The Hound' Marshall & Eric 'Roscoe' Ambel, who was in The Del-Lords, and is now in The Yayhoos. You can get a decent pint, a generous shot and some Roky Erickson or The Real Kids from whoever is behind the bar, which can sometimes be the luscious Leslie Day, who played guitar in The Prissteens, the city's last great, and vastly under appreciated, (mostly) girl-group. Anyway, that night, none of them were around, but George soon came early and we caught up. Back in the day, he used to bartend at Arlene's Grocery as well as the Lakeside, which I deemed my 'local' ever since Billy's Topless closed. George was a first-class host and knew how to mix a Jack & Coke better than everyone. Like in a pint glass. It was the kind of place one could do a bag of mushrooms at the bar with a colleague and spend the night laughing at everything. Apparently. We spoke about the Giblets and I suggested they should consider playing on Long Island with the Blaggards or the Lone Sharks, the two best acts we have out here. George pointed out that Sharks' sax-ist, Paul Scher, moonlights as a Giblet, so maybe there's hope for a double-bill sometime. Eric and I grabbed another beer and moved into the lounge...
These days, there's not too many bands pepper their sets
with tunes by Ray Charles, Chuck Berry, Jimmy McCracklin, Otis Rush, Conway Twitty and Carl Perkins but that should tell you they got good taste. Their originals can sound like Brinsley Schwarz or Graham Parker sometimes and, as George said about one song, "like a twisted Skip James". Special guest, 'Thirsty' Dave Hanson from The Western Caravan's sang on 'It's Only Make Believe' and 'Nadine' and boy, does he have a great voice! So, a most enjoyable night was had by all. Mark it down...the first Tuesday in every month - Giblets at the Lakeside.